All the power you need in production. All the creativity you want in music.
Logic Pro X goes beyond the average sequencer with an advanced set of options that let you record, edit, and manipulate MIDI performances. Transform a loose performance into one that locks tight into the groove using region-based parameters for note velocity, timing, and dynamics. May 15, 2016 Omnisphere 2 Multi-timbral and Route Multiple Output (Logic Pro X Tutorial) - Duration: 6:14. Audiophile 5,546 views. May 15, 2016 Omnisphere 2 Multi-timbral and Route Multiple Output (Logic Pro X Tutorial) - Duration: 6:14. Audiophile 5,546 views. One has a 2.3 gig quad core i7 with a 1 terabyte platter drive and Omnisphere shows up in all the hosts it should namely Cubase Elements 7, Cubase Artist 7, Garage Band X, and Logic X. The other one is a 2.6 gig quad core i7 with a fusion drive (BIG mistake; I should have gotten the one with.
A massive collection of effects and instruments.
Instant access to a deep selection of plug-ins and sounds to fuel your creativity.
Learn more about plug-ins and soundsHigh-end reverb lets you add space and depth to tracks by simulating a wide range of real and unnatural acoustic spaces.
Authentic re-creations of three of the most sought-after analog hardware EQs.
Bring punch and presence to your bass, drums, synths, and guitar with this powerful multi-effect plug-in.
Add rhythmic movement to any track by arranging filters, effects, and independent step sequencers to control treatments over time.
The power of Patches.
The Sound Library includes a massive selection of Patches, which allow you to quickly load complex multichannel sounds. And Smart Controls simplify the process of tweaking and editing to get the right sound.
Jump-start your sound with loops.
Build songs quickly by choosing from over 7000 included royalty-free Apple Loops that are tagged with keywords and automatically conform to the tempo and key of your project. You can even use untagged loops from other sources and they will automatically play at your project tempo.
Keep your tracks in time.
Smart Tempo makes it easy to mix and match music and beats without worrying about the original tempo. Record freely without a click track. Easily combine and edit MIDI and audio tracks — from vinyl samples to live instruments to multitrack audio stems — with constant or variable tempo.
Flex Time.
Spend less time on timing.
Quickly manipulate the timing and tempo of your recording with Flex Time. Easily move the individual beats within a waveform to correct drum, vocal, guitar, or any other kind of track without slicing and moving regions.
Flex Pitch.
Perfect the pitch.
Edit the level and pitch of individual notes quickly and easily with Flex Pitch. Roll over any note and all parameters are available for tweaking.
Take hold of your music.
Logic Remote wirelessly connects your iOS device to your Mac and adds the power of Multi-Touch control to your performances and mixes. Play any software instrument in Logic Pro X from your iPad or iPhone and easily shape your sound as you go. Run your session from wherever you’re most comfortable — whether that’s next to your computer or across the room.
Multi-Touch mixing.
Control your mix from anywhere in the room with Multi-Touch faders to find the best sound.
Pair and play.
Use a variety of onscreen instruments, such as keyboards, guitars, and drum pads, to play any software instrument in Logic Pro X from your iPad.
Don’t just add a drum track. Add a bandmate.
Using Drummer is like hiring a session drummer or collaborating with a highly skilled beat programmer. Create organic-sounding acoustic drum tracks or electronic beats with the intelligent technology of Drummer. Choose from dozens of drummers who each play in a different musical genre, and direct their performances using simple controls.
Build your own acoustic or electronic kit.
Customize your sound with Drum Kit Designer for acoustic kits and Drum Machine Designer for electronic drum tracks. Drummers bring their own setups, but you can swap out individual drums and shape the sound to match what you’re imagining.
A complete studio for your Mac.
Logic Pro X turns your Mac into a professional recording studio able to handle even the most demanding projects. Capture your compositions and performances — from tracking a live band to a solo software-instrument session — and flow them into your songs.
The ultimate way to record.
Seamless punch recording. Automatic take management. Support for pristine 24-bit/192kHz audio. Logic Pro X makes it all easy to do — and undo. You can create projects with up to 1000 stereo or surround audio tracks and up to 1000 software instrument tracks, and run hundreds of plug-ins. It’s all you need to complete any project.
How To Get Omnisphere 2 For Free
Get the most out of MIDI.
Logic Pro X goes beyond the average sequencer with an advanced set of options that let you record, edit, and manipulate MIDI performances. Transform a loose performance into one that locks tight into the groove using region-based parameters for note velocity, timing, and dynamics. Or tighten up your MIDI performances while preserving musical details like flams or chord rolls with Smart Quantize.
Industry-leading tools.
As your song develops, Logic Pro X helps organize all your ideas and select the best ones. Group related tracks, audition alternate versions, and consolidate multiple tracks. Lightning-fast click-and-drag comping helps you build your best performance from multiple takes.
Track Alternatives
Create alternate versions of a track or multiple grouped tracks, and switch between them at any time to audition different options. Create, store, and select from different edits and arrangements of track regions to make it easier to experiment with various creative ideas.
Takes and Quick Swipe Comping
Click and drag to choose the best sections of each take to create a seamless comp, complete with transition-smoothing crossfades. Save multiple comps and switch among them to pick the one you like best.
Track Stacks
Consolidate multiple related tracks into a single track. Use a Summing Stack as a quick way to create submixes. Or create layered and split instruments.
Project Alternatives
Create as many alternate versions of a project as you’d like, each with its own name and settings but sharing the same assets — efficiently saving storage space. Load any version to make changes without compromising your original.
Track Groups and VCA Faders
Manage large mixes with Track Groups and VCA faders. Assign any selection of channels to a track group, then control the levels or other parameters of all tracks in the group from any single channel in the group.
Automation
Easily capture changes to any channel strip or plug-in parameter. Just enable automation, press Play, and make your changes.
Even more pro features in the mix.
Logic Pro X is packed with incredible tools and resources to enhance your creativity and workflow as you sharpen your craft — even if you’re a seasoned pro.
Try Logic Pro X free for 90 days.
Get a free trial of Logic Pro X for your Mac.
Graduate from GarageBand.
Logic Remote for iOS. Take hold of your music.
MainStage 3
Sound as great onstage as you do in the studio.
Music Memos
Capture your song ideas. Whenever inspiration strikes.
Does Omnisphere 2 Come With Logic Pro X Update
Education Bundle
Five amazing apps. One powerful collection.
Omnisphere 1 from Spectrasonics is an incredibly powerful software synthesizer with so many diverse sounds its dizzying. So how does Omnisphere 2 improve upon an award winning synth? Read on..
When the first version of Omnisphere came out in 2008 as Spectrasonics’ flagship software synthesizer, it was well received by the audio community, winning many awards for its sound quality, versatility and power. At that moment Spectrasonics clearly made the transition from releasing sample libraries to designing and releasing instruments. Stylus and Trilian were the other releases that defined this new era for the company.
Omnisphere quickly became an industry standard software synth and its sound could be heard in everything from pop music to film scores. Flash forward to 2015 and it’s a wildly different market now with hundreds of sample-based software synths on the market. I sought to find out if Omnisphere 2 has what it takes to stay on top. Does Spectrasonics keep up with the times and present something new and fresh with this update? I was looking forward to finding out.
Omnisphere 2 Demo
Let’s take a look at the new features of this update and review some of the aspects of Omnisphere 2 that set it apart from the competition. There is way more to cover then I was able to in this review, but I will hit some important key points.
Updated Browser
Figure 1—Expanded Browser In Omnisphere 2
Some of the most innovative new features appear in the Browser section. I appreciate the small description of each patch, often including the patches layered or samples used to create it, in addition to any effects or modulation information. This is not a new feature but new users will undoubtly appreciate it. Few software synthesizers provide such useful tips right in the main interface. Omnisphere’s browser does exactly what a Browser should do: allow for quick selection of sounds with the ability to preview them and receive important information about them all in one place.
Figure 2—Patch Description in Browser
The new trademarked features like Sound Match and Sound Lock give users the ability to quickly navigate like sounds and save settings on the go. You can now import custom audio tracks into Omnisphere for truly unique and extensive processing, a feature composers and sound designers have been asking about for quite some time.
Sound Match
Figure 3—Sound Match in the Browser Section
Say you find a patch you like, but would like other choices in the library that are similar to compare it to. This is what Sound Match is all about. Choose a patch, engage the Sound Match button and it will search for similar sounds to audition in the right side browser. I wish all software synth developers incorporated this feature in their patch browsers. I have run into the issue of finding like sounds many times in other instruments, so I find this feature so refreshing. If you tend to create your own patches or import your own audio to make a patch, it’s a good idea to spend time tagging it with keywords so it can work for you within Sound Match.
Sound Lock
Figure 4—Sound Lock Drop-Down Menu
Sound Lock allows you to lock various parameters while designing or browsing for sounds. All parameters can be locked while you switch out a sound patch or individual parameters. So, if you spend time designing an Arp pattern and want to audition different patches with that pattern, select Arpeggiator under the Sound Lock menu in the top right corner of the instrument. It’s pretty clear how this can come in handy for sound designers.
Importing Audio
Figure 5—Imported Audio Sample in Part A
The import audio feature is not readily available in the Browser section upon first look. You have to choose ‘User Audio’ in the Utility menu to reveal the ‘drag and drop’ window, or choose the small folder icon in the Sample window in section A or B. New Omnisphere users should be aware of the utility menu in general as it includes saving, loading and clearing custom multis, patches and layers among other important prompts.
Figure 6—Utility Menu in Omnisphere
I was impressed by the granular synthesis technique Eric Persing demonstrated in the Omnisphere 2 promotional video so I wanted to try the same technique with a short sample of a Handpan performance by my friend Stevan Morris. In the promotional video, Eric imported a sample of a full jazz track and immediately morphed it into a textural soundscape with the granular controls. Results with the Handpan sample were similiar. The source audio quickly became unrecognizable from the original, but that’s part of the fun! I changed the position of the sampled piece of audio to modify the tone and texture of the granular output. Within this one feature, there were so many wonderful possibilities I could use as is or further process with the FX section.
Figure 7—Granular Synthesis in Omnisphere
I also opted to run my custom Handpan sample through an effect in the FX section called Innerspace. I was hooked on that effect at first listen. Within Innerspace alone, there are incredible settings to explore. Also, simply reversing the sample in the A section and moving the start slider to different position yielded some usable results. In the demo below, you’ll hear part of the original Handpan performance layered with these new textures.
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“Punchy” and “Smooth” modes let you find the right setting for percussive or sustained low end issuesSet a Boundary region to add or remove contrast anywhere in your low endUse the Listen button to hear what’s being removed and avoid over-processingLow End Focus is available in Ozone 9 Advanced only.ImagerAdd natural stereo width to narrow mixes with an upgraded “Stereoize” modeNEW! Izotope ozone 8 mac audioz.
New Sounds and Samples
Figure 8 – Bowed Ceramic Kalimba
Djay spotify what mixer to use. Over 5000 Soundsources and patches were added to the already extensive library totalling more than 12,000 sounds! The degree of custom morphing of the Soundsources and patches available in Omnisphere guarantees that producers and sound designers will create infinite, unique variations. Some of the new Soundsources sampled include Diego Stocco’s custom built instruments played in every conceivable fashion, circuit bending samples, cave stalactites, a ‘Spotlight EDM’ with modern sounds for dance producers and much more. The Spectrasonics team went out of their way to bring the most unique sources to users to keep sound design fresh and interesting.
Figure 9—Recording Stalactites in a Cave
New FX units and Multi Racks
Perhaps one of the most substantial upgrades to Omnisphere is additional FX racks, patches and multi racks. There are 25 new FX units including analog modeled effects, filters, cabinets, compressors, EQs and resonators. Users can build their own custom racks or use one of the dozen preset racks as a starting point. I’ve already mentioned Innerspace as one of my new favorite effects. The different compressors are handy and sound great, especially when designing a patch that needs a boost or when taming a loud, distorted patch with a quick limiter inside the instrument.
Figure 10—New ‘Innerspace’ Creative Effect
Many Ways to Mix and Mangle
Once you’ve chosen a sample or a waveform to start with in Part A or B of the interface, it’s time to design and mangle to your heart's content. There are over 400 new DSP Waveforms available so you won’t get bored. Mix two sample patches, two synths or mix and match using the A and B sections. Route your oscillators to an LFO, filter, envelope or controller via the right-click menu on any parameter in that section. Create polyrhythmic movement with your synth patch in seconds via multiple LFOs. Use up to 8 different Arpeggiators in a patch. Move the sound around in space using the Orb interface and record an instance to use on every note you play and hold. If you intend to use Omnisphere in a live setting, Live Mode allows for seamless patch layering on the fly and Stack Mode allows you to do keyboard splits and complex patch layering. I can go on but you get the idea. Omnisphere 2 is special because it brings together many types of synthesis under one clean and easy to use interface. There is something for every type of audio producer here.
In the Package Name Properties dialog box, click the Compatibility tab.d. https://eversphere817.weebly.com/drivers-for-serato-scratch-live.html. Click to select the Run this program in compatibility mode for check box, click Windows 8 with which it is compatible with in the Run this program in compatibility mode for list, and then click OK.e.
Figure 11—Arpeggiator in Omnisphere
Wrap Up
So, has Omnisphere 2 lived up to its previous reputation as the king of software synths? I say without a doubt. Omnisphere 2 is a tool that will live on and provide endless sounds and inspiration for musicians, producers and sound designers for the foreseeable future.
Price: $499, Standard Upgrade $249 Pros: Great sounds and FX. Flexible Modulation routing and limitless sound design capabilities. Cons: Users new to Omnisphere Modulation Matrix and deeper functions will need to research for methods and possibilities. Web: https://www.spectrasonics.net/products/omnisphere/index.php Watch Video Course: http://www.askvideo.com/course/omnisphere-101-omnisphere-2-explored |